David Hume (1711-1776) is one of the greatest of philosophers. Today he probably ranks highest of all British philosophers in terms of influence and philosophical standing. His philosophical work ranges across morals, the mind, metaphysics, epistemology, religion, and aesthetics; he had broad interests not only in philosophy as it is now conceived but in history, politics, economics, religion, and the arts. He was a master of English prose.
The Clarendon Hume Edition will include all of his works except his History of England and minor historical writings. It is the only thorough critical edition, and will provide a far more extensive scholarly treatment than any previous editions. This edition (which has been in preparation since the 1970s) offers authoritative annotation, bibliographical information, and indexes, and draws upon the major advances in textual scholarship that have been made since the publication of earlier editions—advances both in the understanding of editorial principle and practice and in knowledge of the history of Hume's own texts.
In this volume, Tom Beauchamp presents two essays from Four Dissertations (1757), the last philosophical work written by Hume, which was subsequently revised by the philosopher in the remaining years of his life. Whilst the bulk of A Dissertationon the Passions was extracted from passages in A Treatise of Human Nature, The Natural History of Religion was an original work when published in 1757, as well as the only major work devoted exclusively to the subject of religion that Hume published in his lifetime. Together with Hume's earlier work on religious topics, this essay drew considerable philosophical commentary from his contemporaries.
The last edition of the two works in this volume seen through the press by Hume himself appeared in 1772. It provides the copy-text for this critical edition. The Editor's primarily historical Introduction discusses the genesis, revision, and reception of these two dissertations, which went into ten editions at the author's hand. It will appeal to scholars across many disciplines.
General Editors of the Clarendon Hume: Professors T. L. Beauchamp (Georgetown University, USA), D. F. Norton (McGill University, Canada), M. A. Stewart (University of Lancaster, England).
The Edition comprises (or will comprise):
Vols. 1 and 2: A Treatise of Human Nature, edited by D. F. Norton
Vol. 3: An Enquiry concerning Human Understanding, edited by T. L. Beauchamp
Vol. 4: An Enquiry concerning the Principles of Morals, edited by T. L. Beauchamp
Vol. 5: The Natural History of Religion and A Dissertation on the Passions, edited by T. L. Beauchamp
Vols. 6 and 7: Essays, edited by T. L. Beauchamp and M. Box
Vol. 8: Dialogues concerning Natural Religion and other posthumous publications, edited by M. A. Stewart
MORAL, POLITICAL, AND LITERARY
Published in 1742.a
Part I, Essay I
OF THE DELICACY OF TASTE AND PASSION
SOME People are subject to a certain delicacy of passion, which makes them extremely sensible to all the accidents of life, and gives them a lively joy upon every prosperous event, as well as a piercing grief, when they meet with misfortunes and adversity. Favours and good offices° easily engage their friendship; while the smallest injury provokes their resentment. Any honour or mark of distinction elevates them above measure; but they are as sensibly touched with contempt.° People of this character have, no doubt, more lively enjoyments, as well as more pungent° sorrows, than men of cool and sedate tempers: But, I believe, when every thing is balanced, there is no one, who would not rather be of the latter character, were he entirely master of his own disposition. Good or ill fortune is very little at our disposal: And when a person, that has this sensibility° of temper, meets with any misfortune, his sorrow or resentment takes entire possession of him, and deprives him of all relish in the common occurrences of life; the right enjoyment of which forms the chief part of our happiness. Great pleasures are much less frequent than great pains; so that a sensible temper must meet with fewer trials in the former way than in the latter. Not to mention, that men of such lively passions are apt to be transported beyond all bounds of prudence and discretion, and to take false steps in the conduct of life, which are often irretrievable.
There is a delicacy of taste observable in some men, which very much resembles this delicacy of passion, and produces the same sensibility to beauty and deformity of every kind, as that does to prosperity and adversity, obligations and injuries. When you present a poem or a picture to a man possessed of this talent, the delicacy of his feeling makes him be sensibly touched with every part of it; nor are the masterly strokes perceived with more exquisite relish and satisfaction, than the negligences or absurdities with disgust and uneasiness. A polite and judicious conversation affords him the highest entertainment; rudeness or impertinence is as great a punishment to him. In short, delicacy of taste has the same effect as delicacy of passion: It enlarges the sphere both of our happiness and misery, and makes us sensible to pains as well as pleasures, which escape the rest of mankind.
I believe, however, every one will agree with me, that, notwithstanding this resemblance, delicacy of taste is as much to be desired and cultivated as delicacy of passion is to be lamented, and to be remedied, if possible. The good or ill accidents of life are very little at our disposal; but we are pretty much masters what books we shall read, what diversions we shall partake of, and what company we shall keep. Philosophers have endeavoured to render happiness entirely independent of every thing external. That degree of perfection is impossible to be attained: But every wise man will endeavour to place his happiness on such objects chiefly as depend upon himself: and that is not to be attained so much by any other means as by this delicacy of sentiment. When a man is possessed of that talent, he is more happy by what pleases his taste, than by what gratifies his appetites, and receives more enjoyment from a poem or a piece of reasoning than the most expensive luxury can afford.a
Whatever connection there may be originally between these two species of delicacy, I am persuaded, that nothing is so proper to cure us of this delicacy of passion, as the cultivating of that higher and more refined taste, which enables us to judge of the characters of men, of compositions of genius, and of the productions of the nobler arts.° A greater or less relish for those obvious beauties, which strike the senses, depends entirely upon the greater or less sensibility of the temper: But with regard to the sciences and liberal arts, a fine taste is, in some measure, the same with strong sense, or at least depends so much upon it, that they are inseparable. In order to judge aright of a composition of genius, there are so many views to be taken in, so many circumstances to be compared, and such a knowledge of human nature requisite, that no man, who is not possessed of the soundest judgment, will ever make a tolerable critic in such performances. And this is a new reason for cultivating a relish° in the liberal arts. Our judgment will strengthen by this exercise: We shall form juster notions of life: Many things, which please or afflict others, will appear to us too frivolous to engage our attention: And we shall lose by degrees that sensibility and delicacy of passion, which is so incommodious.°
But perhaps I have gone too far in saying, that a cultivated taste for the polite arts extinguishes the passions, and renders us indifferent to those objects, which are so fondly pursued by the rest of mankind. On farther reflection, I find, that it rather improves our sensibility for all the tender and agreeable passions; at the same time that it renders the mind incapable of the rougher and more boisterous emotions.
Ingenuas didicisse fideliter artes,
Emollit mores, nec sinit esse feros.
For this, I think there may be assigned two very natural reasons. In the first place, nothing is so improving to the temper as the study of the beauties, either of poetry, eloquence, music, or painting. They give a certain elegance of sentiment to which the rest of mankind are strangers. The emotions which they excite are soft and tender. They draw off the mind from the hurry of business and interest; cherish reflection; dispose to tranquillity; and produce an agreeable melancholy,° which, of all dispositions of the mind, is the best suited to love and friendship.
In the second place, a delicacy of taste is favourable to love and friendship, by confining our choice to few people, and making us indifferent to the company and conversation of the greater part of men. You will seldom find, that mere men of the world, whatever strong sense they may be endowed with, are very nice° in distinguishing characters, or in marking those insensible differences and gradations, which make one man preferable to another. Any one, that has competent sense, is sufficient for their entertainment: They talk to him, of their pleasure and affairs, with the same frankness that they would to another; and finding many, who are fit to supply his place, they never feel any vacancy° or want° in his absence. But to make use of the allusion of a celebrated French author, the judgment may be compared to a clock or watch, where the most ordinary machine is sufficient to tell the hours; but the most elaborate alone can point out the minutes and seconds, and distinguish the smallest differences of time. One that has well digested his knowledge both of books and men, has little enjoyment but in the company of a few select companions. He feels too sensibly,° how much all the rest of mankind fall short of the notions which he has entertained. And, his affections being thus confined within a narrow circle, no wonder he carries them further, than if they were more general and undistinguished. The gaiety and frolic of a bottle companion° improves with him into a solid friendship: And the ardours of a youthful appetite become an elegant passion.
[In the Treatise of Human Nature, Hume divides the perceptions of the mind into impressions and ideas. Impressions are divided into sensations and passions. Hume speaks of passions as secondary impressions, inasmuch as they usually arise from some preceding sensation or idea. He divides the passions into the calm and the violent. On occasion the term passion is used narrowly, as in the present essay, to designate only the more violent passions, such as love and hatred, grief and joy, or pride and humility. When Hume speaks here of a "delicacy of passion," he means a disposition to be affected strongly by the violent passions in the face of prosperity or misfortune, favors or injuries, honors or slights, and other accidents of life that lie beyond our control. What he here calls "taste"—the sense of beauty and deformity in actions or objects—is also a passion, broadly speaking, but normally a calm one. A delicacy of taste is a keen sensitivity to beauty and deformity in actions, books, works of art, companions, and such. This quality of mind is discussed at considerable length by Hume in Essay XXIII, "Of the Standard of Taste."]
[Hume sometimes uses the term sentiment broadly to mean passion or feeling as such, but at other times, as in this passage, he uses it synonymously with taste to refer to a special feeling of approbation or disapprobation that arises from the contemplation of objects, characters, or actions. Taste, or sentiment in this latter sense, underlies judgments of beauty and moral worth. In the Enquiry Concerning Human Understanding, Hume argues that "morals and criticism are not so properly objects of the understanding as of taste and sentiment. Beauty, whether moral or natural, is felt, more properly than perceived" (sec. xii, pt. 3).]
[An "original" connection is one in human nature itself. Hume is alluding here to the fact that "taste" is itself a passion and has more in common with the other passions than this essay might suggest. The connection of the various passions is discussed by Hume in Book II of the Treatise ("Of the Passions") and in a later recasting of Book II entitled "A Dissertation on the Passions."]
[Ovid (43 B.C.-A.D. 18?), Epistulae ex Ponto (Letters from Pontus) 2.9.47-48: "A faithful study of the liberal arts humanizes character and permits it not to be cruel" (Loeb translation by A. L. Wheeler).]
Mons. FONTENELLE, Pluralité des Mondes. Soir. 6. [Bernard le Bovier de Fontenelle (1657-1757), French academician, poet, and popularizer of modern science, whose "Conversations on the Plurality of Worlds" was published in 1686.]
Part I, Essay II
End of Notes
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